When I discovered Sturgill Simpson, I thought of him as a possible bridge between the stereotypes of rednecks and hippies - a cosmic cowboy seeking nirvana while partying and singing of sin. His tunes range from rockabilly speed country to transcendental ballads, and his voice makes me think of a tight cord with soft ends.
As I explore his lyrics more, I feel we share a wavelength or two. The album Metamodern Sounds of Country Music walks the territory of an emerging soul and moves back and forth between concrete and Bardo. See the lyrics of Just Let Go and Life of Sin for some of what I mean.
That is kind of where I find myself, spending much of my days grounded in work, family, and play while also drifting into intense states of perception. The latter usually occurs during my commutes, and my elevated states are often prompted by On Being podcasts or some other inward-driving stimulus. I, like I believe Sturgill is/was trying to do, am trying to sniff out any poisons in my channels - purify and fortify my code using the many sources available as guides. Like everyone, I find it ain't easy.
Tuesday, May 30, 2017
Saturday, March 25, 2017
The Pirate and The Polka Dot Queen
The toothy pirate and the polka dotted queen
scoffed at the rain this morning.
With loose boots and cold hands
they marched down the muddy trails.
Ahoy they called
or howdy do
to every goose and duck that flew
bending low to watch the streams
Saturday, February 11, 2017
The In Between Times
20 thousand miles a year
wearing tread to ply my trades.
If I am to be fit for such travel
I must angle for ascent
scan everything
to begin to understand
and ask for a hint
towards connection.
Saturday, January 21, 2017
January Ice
I remember winter thaws
and how the puddles froze back over
ice layers shattering under foot.
Cavities exposed
and me stealing glimpses
while bent on destruction.
Friday, January 13, 2017
A Bit to Drill
It takes a keen hand
to create a piece of anything.
Tools are ready and can be forged
to carve notches on a pine
or bend metal to a form.
What forts aren’t built
what bikes unrepaired
what art unmade
when hands never turn a screw
or join two planks together?
Would-be workshops
serve as contraption collections
yearning for sawdust and lacquer
while virtual worlds grow
in the rooms around them.
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